4/9/2023 0 Comments Find the rabbit soundcloud![]() If this is the start of a new project for Dead Gowns, it’s already one that seems to suit her, the sound of a songwriter coming good on all her promise and then some. Throughout, the song is a gorgeous listen and particularly wonderful are the traded melodies of Geneviève’s vocals, which carry a similar laid-back charm to Zelma Stone, and the fabulously fluttering flugelhorn. Lyrically, the track deals more in imagery than a direct narrative, “collect the lawn chair debris from my yard and paint my doorway the colour of a birthday card”, is one of a host of thought-provokingly wistful snapshots. Musically, the tracks seems to exist in the delightful middle ground of dreamy folk and bedroom-pop, nodding equally to the angular acoustics of Dana Gavanski and the swooping melodies of Sun June. Torn as to what to let go of, Geneviève followed her instincts and began recording this new material with a host of friends from the New England DIY scene, the first example of which emerged this week in the shape of her new single, How You Act.ĭiscussing the inspiration behind How You Act, Geneviève suggests the track is, “a reclamation of agency”, a moment of clarity that allows the narrator to forgive and accept what came before. In January last year, Geneviève was in a state of creative flux, working on a completely different record, as a handful of new tracks began bubbling up. Back in 2018, she released her debut EP, New Spine, a record that saw Dead Gowns tour across the Northeast of the US, featured in a Wilco recommends playlist and declared by one outlet as producing one of Portland’s best records of the decade. īased out of Portland, Maine, Dead Gowns is the songwriting project of Geneviève Beaudoin. A return to be cherished, from a songwriter who feels like she’s only just getting started, Ruby Gill is going to be a star. As the track progresses it becomes oddly catchy for a song about panic attacks, the slide out of the instrumental middle section in particular you can imagine being the soundtrack to a lighters-in-the-air angsty howl of collective struggle. The track beings like a classic finger-picked nu-folk track, reminiscent of Emmy The Great or early Laura Marling, but as the guitars pick up and the prominent throb of bass enters it takes a turn to somewhere completely different. The song explores Ruby’s potentially doomed-to-fail attempt to get to the bottom of her issues, creating something of an anxiety anthem in the process. I had to start figuring out exactly why I kept freaking out and how to make it stop”. Living up to its title, Public Panic Attacks is a song about the moment Ruby found herself experiencing a full-blown panic attack in a parking lot, as she recalls, “this is not the first time I’ve had a panic attack in a public parking lot. Four years, and a handful of singles later, this week Ruby returned with a brand new single, Public Panic Attacks. Raised in a forest in South Africa and now based out of Melbourne, Australia, Ruby Gill has been active for a few years now, appearing on these pages back in 2018 when she shared the brutally honest single, Your Mum. For more information on Angel Olsen visit. Throughout, there’s a sense of opening your heart to the possibility of new adventures, an experience that can be both enriching and painful, and one that seems to be writ large over all the music we’ve heard from Big Time so far, a record that’s already shaping up to be just as special as we’ve come to expect from this most fascinating of talents.īig Time is out June 3rd via Jagjaguwar. By the song’s close, Angel seems to tap into an almost biblical metaphor for pain and reward, “walk through the fires, of all earthly desires, and let go of the pain that obstructs you from, higher higher higher”. Throughout there’s a real sense of purpose to Through The Fires, a song that strides confidently into the next phase, as Angel sings, “I moved into the feeling I found” over a backing of rolling percussion, prominent pianos and the gradual swell of the string-trio. Recorded with co-producer Jonathan Wilson in California, Big Time is set for release at the start of next month, and this week Angel shared the album’s centrepiece, Through The Fires.Ī song written to, “ remind myself that this life is temporary”, Through The Fires exists to remind us not to dwell on the past, as Angel explains, “it’s important to keep moving, keep searching for the people that are also searching, and to notice the moments that are lighter and bigger than whatever trouble I’ve encountered”. The album is a record of mixed emotions, built around both love and loss, reflecting on her first queer relationship and the loss of both her parents within weeks of each other. As discussed on these pages back at the start of April, Angel Olsen recently detailed the release of her upcoming fifth studio album, Big Time.
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